
Painting: Acrylic on Paper by Gita Viswanath
Editor’s Note
The outcome of my call for submissions on the theme of emptiness was an overfull inbox! It was heartening to note that the theme resonated with writers and artists across the boundaries of age, occupation and geographical location. I am delighted to present to you select contributions from a range of creative expressions received – poetry, prose poem, flash fiction, short story, personal essay, photo essay, photography and painting. Each one of them has defined and redefined the idea of emptiness in startlingly different ways reinforcing the suggestion in my concept note about emptiness being a word which means “the state of containing nothing,” yet paradoxically so full a word. Apart from empty containers and spaces, emptiness can be a state of being in itself, both enervating and empowering is what this collection has to say.
I sincerely wish you enjoy this anthology as much as I have in putting it together. I am grateful to Jayita Sengupta for this opportunity. The aesthetic appeal of the formatted pages is entirely attributable to Sudhir Garimalla. Many thanks to him. Last but not the least, I am deeply indebted to each and every contributor for responding to my appeal and making this a beautiful collection to be proud of.
Gita Viswanath
Poetry
Bini B S
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Brinda Bose
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Elizabeth V Koshy
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Joy Deshmukh Ranadive
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Mitali Chakravarty
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Monobina Nath
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Saweini Laloo
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Shamila Swamy
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Sunil Bhandari
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Taseer Gujral
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Prose Poem
Anannya Dasgupta
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Flash Fiction
Meeta Chatterjee Padmanabhan
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Short Story
Akankshya Abismruta
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Jayasree Kalathil
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Sucharita Dutta-Asane
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Personal Essay
Bhaswati Ghosh
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Suchita Krishnaprasad
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Parody
Mahi Sastry
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Photo Essay
Nandini Manjrekar
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Nishi Pulugurtha
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Utkarsh Singh
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Photography
Pritish Bali
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Art
Piyalee Saha
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R Magesh
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